As promised, the full version of the paper I recently presented at the Society for Textual Scholarship conference is linked below. I’ve revised it slightly, both in response to the wonderful feedback I received at the conference and to make it more readable, as it was originally intended to be heard. Please forgive the clunky documentation; I believe it is complete, but, as so often happens with conference papers, it is rather ungraceful.
Although I don’t have immediate plans for this piece, questions of censorship will certainly continue to be a part of my general inquiry into Crooke’s book, and I welcome further insights/questions, etc. As soon as I find time, I’ll be following up on Whitney Trettien‘s excellent suggestion to take a look at some anatomical flapbooks, such as the Hardin Library’s Johann Remmelin’s Catoptrum microcosmicum (1619) here at the University of Iowa that Whitney has blogged about.
Organizing the 13th annual Craft Critique Culture conference at the University of Iowa is just one of the many things keeping me from completing a new blog post, so I thought I’d let both projects serve the other by posting the CFP here. Our submission deadline has just been pushed back to February 8.
Most exciting in relation to the subject matter of this blog is our guest keynote speaker, Dr. Jonathan Sawday. Sawday, a cultural historian and author of The Body Emblazoned: Dissection and the Human Body in Renaissance Culture, is Walter J. Ong, S.J., chair in the humanities and currently serves as chairperson of the English department at St. Louis University. I once had dinner with Dr. Sawday, who told me that back in England he had perused a copy of Mikrokosmographia the pages of which were splattered with blood from the anatomy theater. Sawday’s current work on blanks and voids in literature, art, and culture ties into our conference theme, “Into the Void.” See CFP below (feel free to pass on/circulate):
The 13th Annual Craft Critique Culture Conference
Into the Void
March 29-30, 2012
University of Iowa
But in the midst of the long row there hangs a canvas which differs from the others. . . . on this one plate no name is inscribed, and the linen within the frame is snow-white from corner to corner, a blank page.
— Isak Dinesen, “The Blank Page”
As an interdisciplinary conference, CCC itself enters into the void between disciplines. We seek papers from the broadest variety of fields (English, philosophy, history, law, classical studies, anthropology, art, sociology, theater, political science, psychology, etc.), from the full range of approaches and time periods, as well as work that is itself interdisciplinary (cultural studies, book history, religious studies, bioethics and humanities, media studies, digital humanities, etc.). We want to hear about the voids you encounter in literature, art, culture, and even the sciences. Voids can be frightening areas of the unknown, the empty, the uncharted, but as such they can also be spaces for incredible opportunity and discovery.
The word “void” is both spatial and conceptual. As a noun, it can signify a blank page, an empty room, or ineffective speech; as a verb, it can render vacant, exhaust a subject, nullify or annul. The void is gap, absence, lack—but also possibility, purity, and potential. How is the void figured in art, music, literature, and film? Is there an aesthetic of the void? A language of the void? How does the artist or author negotiate the void? How does the audience or reader negotiate it? How is the void made productive? How does encountering the void affect/alter identity? How are voids deployed in order to manipulate or appease?
Topics could include:
- Blank spaces in works of literature, film, art, etc.
- Opportunity created by a void
- Concepts of “impossible speech”
- Performing the void
- Voids in translation
- Identity voids
- Spatial voids
- Poetics of the void
- Anxiety of the void
- Geographical voids
- Ethics of the void
- Politics and the void
- Anything related to gaps, spaces, fissures, emptiness, holes, darkness, blankness, unboundedness, openness, etc.
Craft Critique Culture is an interdisciplinary conference focusing on the intersections among critical and creative approaches to writing both within and beyond the academy. We invite the submission of critical, theoretical, and original creative work in a variety of media and across the humanities, sciences, and legal disciplines. In the past, submissions have included not only traditional scholarly papers but also film, video, music, writing, visual art and artists’ books, and performance. There are all kinds of voids to explore, in all kinds of ways.
Please submit abstracts of no more than 350 words. Full panels (featuring three papers) may also be proposed. Each panel proposal should consist of three abstracts and a brief explanation of the panel’s purpose and relevance to the conference. Each panel submission should total no more than 1,000 words. Please include name, institutional affiliation (if applicable), street address, telephone number, and email address on all abstracts and proposals. Please submit all paper abstracts or panel proposals to Craft Critique Culture, email@example.com. Submission deadline is February 8, 2013.